Clare Gemima is an anti-discliplinary artist and writer from Aotearoa, New Zealand.
Based in New York since 2019, Clare Gemima spends studio time collaging and constructing sculptures that grapple with ideas of loss, grief, after-life, and psychological collapse. Recurring materials in her studio include metal, tv screens, adhesive, acrylic & laser cut perspex, and a wide range of soft and hard fabrics, digital design mediums, text documents, and paint.
Clare Gemima also contributes art criticism regularly to The Brooklyn Rail, Contemporary HUM, and several other arts based publications with a particular interest in building scholarship for immigrant artists that are exhibiting in NYC, artists currently working in residency programs, emergent painters and sculptors operating outside of androcentric concepts, and female-identifying, multimedia practitioners.
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